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Showing posts with label 1880s. Show all posts
Showing posts with label 1880s. Show all posts

May 09, 2007

Traffic Crossing Leeds Bridge (1888)

In 1888 the city of Leeds, in England, became part of history of cinema as the place where the first movies were made. It was the place where a French inventor named Louis Aimé Augustin Le Prince successfully tested his invention for the first time and created the first moving images in history. Of course, history often credits either Thomas Alva Edison or the Lumière brothers as the inventors of cinema, and not without a reason, as they were the first who made public exhibitions of movies; however, it was Louis Le Prince who shot the first movies a couple of years before Edison and the Lumières. Sadly, Le Prince would die under mysterious circumstances shortly after this monumental achievement (in 1890), and so, being unable to offer public demonstrations, his name was soon forgotten when film was presented by other inventors. Despite this tragic turn of events, it's never late to give the proper credit to Louis Le Prince as the father of cinema.

In the first movie ever, "Roundhay Garden Scene", Le Prince captured his wife's family on a day at the garden, as they walked and moved in order to test his camera. For his second experiment, Le Prince went to Leeds Bridge, and shot a 2 seconds of the traffic crossing the bridge. The carriages pulled by horses are captured by Le Prince's camera in what could be considered as the very first documentary in history, as it shows another typical day at the Leeds bridge. Obviously, Le Prince's intention was to capture real moving objects to prove that his invention was not fake, so what better way to do it than filming the traffic? Despite its extremely short runtime, this movie is quite interesting as it's a small glimpse to life in the late Victorian era, almost like a time machine to a past that now, more than 100 years later feels very distant.

Watching this movie (as well as "Roundhay Garden Scene") today is a strangely mystifying experience, as while in its short runtime barely nothing happens, the fact that before this movie there wasn't anything, that this was the very first time a movie was made, gives the film an almost supernatural atmosphere. The experiment was successful and cinema was born. It's a tragedy that Le Prince didn't live to see how his invention would grow, and never witnessed his invention becoming an art form and a new way of entertainment. While he never saw the magic of Georges Méliès's movies, or the narrative methods of Edwin S. Porter and D.W. Griffith, Le Prince showed the bridge. Edison, Lumière, and the rest of the pioneers would follow him and change history for ever.

10/10

Roundhay Garden Scene (1888)

The name of Louis Aimé Augustin Le Prince is not listened often when talking about history of film, as the strange circumstances surrounding his death and the troubles his work found after his disappearance covered his achievements with a cloud of mystery; however, it is probably the most important person in the history of film-making, as Le Prince was the man responsible of the very first recording of motion images on film. A dedicated inventor, Louis Le Prince started experimenting with film as early as 1881 (years before Thomas Alva Edison or the Lumière brothers), and by 1886 he was almost ready to take the big step, as he built his first successful movie camera. Someday around October 1888, Le Prince captured on film what would become the world's first motion picture: a family scene in a garden of Roundhay, Leeds, during his time in England. Cinema was born in that garden.

The now legendary 2 seconds short features his son Adolphe walking across the garden while the family of Le Prince's wife, the Whitleys, move on the background, probably wondering if what their son-in-law is doing will work. And it work marvelously, as the images of that day at the garden were captured, and finally the photographs were moving. Sadly, "Roundhay Garden Scene" was also tainted by tragedy, as Sarah Whitley, Le Prince's mother-in-law died just ten days after the shooting of the movie, so probably she was not able to see her image moving in the background of the scene. Considering the enormous importance of this invention, it's easy to wonder why isn't the name of Le Prince better known, and why are Edison and the Lumière brothers credited as the cinema inventors.

The reasons behind this apparent forgetfulness are many, but the most important is the fact that tragically, he died before making his first public demonstration, and was not alive when the legal battles over the patent of the invention began. The mysterious death of Le Prince put him out of the picture and by the next decade, the names of Edison and the Lumières would become the ones related to film-making. While history credits Auguste and Louis Lumière as the fathers of cinema, it would be fair to give Louis Le Prince part of the credit, as while the brothers indeed invented cinema as we know it (they were the first to make public demonstrations), it was Le Prince's invention what would truly be the beginning of all. The shiny day at Roundhay garden that Le Prince captured in this film, is a fitting symbol for the shiny future that cinema had ahead.

10/10